A plaque remaining from the Big Apple Night Club at West 135th Street and Seventh Avenue in Harlem.

Above, a 1934 plaque from the Big Apple Night Club at West 135th Street and Seventh Avenue in Harlem. Discarded as trash in 2006.

Recent entries:
Columbia University’s Alma Mater (Mary Lawton, model) (11/29)
Siegel-Cooper’s Statue of the Republic (Minnie Clark, model) (11/29)
Rockefeller Center’s Atlas (modeled after Benito Mussolini?) (11/29)
Statue of Justice or Lady Gotham (Batman’s Statue of Liberty) (11/29)
“Tax the people and tax with care…” (tax poem) (11/29)
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Entry from November 29, 2015
Columbia University’s Alma Mater (Mary Lawton, model)

Entry in progress—B.P.
Daniel Chester French (1850-1931)

Wikipedia: Alma Mater (New York sculpture)
Alma Mater is a sculpture of the goddess Athena by Daniel Chester French which is located on the steps leading to the Low Memorial Library on the Morningside Heights campus of Columbia University in Manhattan, New York City. Sculpted in 1903 and installed in 1904, it was donated in memory of alumnus Robert Goelet of the Class of 1860 by his wife, Harriette W. Goelet. Alma Mater The statue has become a symbol of the university.

An owl is hidden in the folds of Alma Mater‘s cloak near her left leg, a symbol of knowledge and learning, and college superstition has it that the first member of the incoming class to find the owl will become class valedictorian. The legend at another time was that any Columbia student who found the owl on his first try would marry a girl from Barnard.

In 1962 the statue was gilded, but the gilding was removed after protests. In the 1960s and 70s, the radical group the Weather Underground planned to blow up the statue, but these plans were shelved after the group managed to blow much of itself up inside a Greenwich Village row house instead.

Chronicling America
9 November 1913, The Sun (New York, NY), Pictorial Magazine (fourth sec.), pg. 5, col. 1:
Miss Mary Lawton, Whose Hands and Arms Are Considered Ideal, Says We Are Far Behind in the Technic of Their Movements in Dramatic Art
Daniel Chester French, the Sculptor, Has Used Miss Lawton’s Hands and Arms in Many of His Figures—Duse’s Remarkable Power

(Photo caption.—ed.)
Heroic figure by Daniel Chester French, for hands and arms of which Miss Lawton posed.

Google Books
Cast in the Shadow:
Models for Public Sculpture in America

By Jennifer Gordon
Williamstown, MA: Sterling and Francine Clark Art Institute
Pg. 35:
Although it is very likely that the actress Mary Lawton, a close friend of French, posed for the figure of Alma Mater, the statue is not at all a portrait. It was meant to be an allegorical representation of the University’s seal.

Posted by Barry Popik
New York CityPublic Sculpture • Sunday, November 29, 2015 • Permalink

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