Cod liver oil may be good for one’s joints, but there’s a pun:
“Mixing cannabis with cod liver oil is bad for your joints.”
The joke was posted on Twitter on May 12, 2010.
Twitter
Raymond Geddes
@potxnoodle
Mixing cannabis with cod liver oil is
bad for your joints
5:43 PM - 12 May 2010
Twitter
chris
@chriscr10571
Mixing cannabis with cod liver oil is bad for your joints.
6:29 PM - 12 May 2010
Twitter
TheMarydoll
@TheMarydoll
Mixing cannabis with cod liver oil is bad for your joints.
8:25 AM - 13 May 2010
Facebook
Attleborough Arms
April 18, 2013 · Nuneaton, United Kingdom ·
Mixing cannabis with cod liver oil is bad for your joints
Facebook
Portsmouth Cannabis Social Club
June 5, 2015 ·
Mixing Cannabis with cod liver oil is bad for your joints. Ha ha morning
Twitter
Shit Jokes
@ShitJokes
Mixing cannabis with cod liver oil is..
Bad for your joints.
3:53 PM - 21 Jul 2017
Above, a 1934 plaque from the Big Apple Night Club at West 135th Street and Seventh Avenue in Harlem. Discarded as trash in 2006. Now a Popeyes fast food restaurant on Google Maps.
Recent entries:
•
“Instead of conspiracy theorist, I prefer to be called a connect the dots specialist” (3/20)
•
“Let’s reduce drunk driving by taking cars away from sober drivers” (3/20)
•
“When the Berlin Wall fell, which side did the people run to?” (3/20)
•
“You are being conditioned to give up your rights every time there’s a crisis” (3/20)
•
Entry in progress—BP (3/20)
More new entries...
Above, Big Apple Corner at 54th Street and Broadway in Manhattan. Google Maps.
Above, John J. Fitz Gerald, from the Aug. 15, 1931, Binghamton (NY) Press, pg. 14.
Listen to Robert Emmerich introduce "The Big Apple," a hit song from 1937. Music written by Bob and performed by Tommy Dorsey's Clambake Seven with Bob on piano. Lyrics written by Buddy Bernier and sung by Edythe Wright. Audio provided by Dorothy Emmerich.
Also listen to a 1937 "The Big Apple" song by Ozzie Nelson and his Orchestra. See a 1929 photo of John J. Fitz Gerald and a 1931 photo of John J. Fitz Gerald.
This site is edited by Barry Popik.